Mose Fan Fan: A Pioneer of Congolese Soukous and African Music Legend
Mose Se Sengo, widely known as Mose Fan Fan, was a Congolese guitarist, composer, and bandleader who left an indelible mark on the African music scene. Born in Léopoldville (now Kinshasa) in 1945, his musical journey spanned over five decades, contributing significantly to the evolution of Congolese Rumba and Soukous. From his early days in TPOK Jazz to his global career, Mose Fan Fan’s contributions have resonated across Africa and beyond.
Early Life and Musical Beginnings
Mose Fan Fan was born on October 16, 1945, and grew up during the period when the Democratic Republic of the Congo (then Belgian Congo) was teeming with musical talent. His passion for music began in Kinanga, where he first picked up the guitar while attending boarding school. His early exposure to music sparked a career that would make him one of the key figures in Congolese music.
TPOK Jazz: The Launchpad for Greatness
In 1968, Mose Fan Fan joined Franco Luambo Makiadi’s iconic band, TPOK Jazz. As one of the premier orchestras in Africa, TPOK Jazz was a pivotal force in shaping the sound of Congolese music. Fan Fan’s tenure with the band solidified his reputation as a brilliant solo guitarist. He contributed to the band’s success, notably playing on hits like “Dje Melasi.” However, seeking more creative freedom, he eventually parted ways with the group.
Lovy du Zaire: The Pursuit of Independence
After leaving TPOK Jazz, Fan Fan joined Lovy du Zaire, a band founded by Victor “Vicky” Longomba, a founder of OK Jazz and a former member of African Jazz. This period in Fan Fan’s career allowed him to collaborate with other talented musicians, including Bumba Massa and Syran Mbenza. Despite the opportunity, Fan Fan grew disillusioned with the leadership and left the group. This marked a turning point in his career, leading him to explore new territories and sounds.
The Somo Somo Years: Spreading Congolese Music Across Africa
In the 1970s, Fan Fan left Zaire (now DRC) and ventured to East Africa, settling first in Tanzania and later in Kenya. It was during this time that he founded his band, Somo Somo, meaning “Double Trouble,” which became one of the pioneering groups in spreading Congolese Soukous music across East Africa. With Somo Somo, Fan Fan performed in Tanzania, Zambia, and Kenya, making Congolese Rumba accessible to audiences who had not previously encountered the genre.
The Move to London: Fusing African and Western Sounds
In the early 1980s, Mose Fan Fan moved to London, where he continued to innovate musically. In London, he re-formed Somo Somo and recorded several albums. His music evolved as he began to collaborate with British jazz musicians, blending African rhythms with Western jazz. This fusion broadened his appeal to international audiences, introducing the world to the vibrant sound of Congolese Soukous.
Famous Songs and Albums: A Legacy of Musical Innovation
Throughout his career, Mose Fan Fan produced several iconic albums and tracks that left a lasting imprint on the African music scene. Among his most notable works is “Hello Hello” (1995), which remains a beloved song in the Soukous genre. His 1999 album, “Congo Acoustic,” showcased his mastery of the acoustic guitar, returning to the roots of Congolese Rumba. Albums like “Belle Epoque” (1994) and “Bayekeleye” (2005) demonstrated his versatility as a composer and guitarist. His ability to evolve with the times while staying true to his roots made him a revered figure in African Music.
Tributes and Collaborations: Honoring Franco and TPOK Jazz
In the 1990s, Fan Fan joined Bana OK, a tribute band dedicated to the memory of his former mentor, Franco Luambo Makiadi. This band brought together former members of TPOK Jazz to celebrate the rich legacy of Congolese Rumba. The collaboration allowed Fan Fan to reconnect with the classic sound of the genre while paying homage to one of its greatest architects.
Final Years: A Musical Journey Cut Short
Despite his advancing years, Mose Fan Fan remained an active musician until his death. On May 3, 2019, while on a recording tour in Nairobi, Kenya, Fan Fan tragically passed away due to a suspected heart attack. He had been recording new material with Nairobi-based vocalists like Paddy Makani and Disco Longwa, continuing to contribute to the vibrant East African music scene. His passing came just a day before the burial of Simaro Lutumba, another Congolese musical legend with whom he had shared the stage in TPOK Jazz.
A Lasting Legacy in African Music
Mose Fan Fan’s contributions to Congolese Soukous and African music cannot be overstated. As a guitarist, composer, and bandleader, he played a pivotal role in popularizing Congolese music across Africa and the world. His collaborations, innovative sound, and timeless tracks like “Hello Hello” have cemented his place as one of the greats in African music history. Even in death, his music continues to inspire new generations of musicians and fans, reminding us of the power of rhythm, melody, and the enduring spirit of Congolese Rumba.
Mose Fan Fan’s life was a testament to the global power of music and his legacy will continue to resonate for years to come.
