Jolie Detta: Pioneering Congolese Female Diva
Jolie Detta: A Musical Odyssey
Jolie Detta Kamenga Kayobote, also known as Evangeliste Myriam, stands as a testament to the rich musical heritage of the Democratic Republic of the Congo. Her journey from the early days with Choc Stars to becoming a gospel sensation is a story worth exploring.
Early Life and Musical Debut
While the exact date of Jolie Detta’s birth remains uncertain, musicologists suggest she was born to a Greek father and a Zairean mother. Her musical career kicked off in 1983 when she joined the renowned Soukous band Choc Stars in Kinshasa as a chanter and leading vocalist.
Her exceptional talent caught the attention of Taby Ley Rochereau and Franco during her time with Choc Stars. Subsequently, she became a part of Tabu Ley’s Afrisa International in 1985, earning the sobriquet “Samantha Ley.” This marked the beginning of her remarkable journey in Congolese music.
Contributions to OK Jazz and Choc Stars
In 1986, Jolie Detta made waves with Franco Luambo’s OK Jazz, featuring in the EP “Le Grand Maitre Franco et son Tout Puissant O.K. Jazz et Jolie Detta.” The EP included melodic hits like “Massu,” “Cherie Okamuisi Ngai,” “Layile,” and “Likambo Ya Somo Lumbe,” catapulting her into the limelight.
Her association with OK Jazz, however, concluded amid speculations of remuneration disputes and disagreements with Franco. Undeterred, Jolie Detta rejoined Choc Stars before joining Bozi Boziana’s Orchestre Anti-Choc in 1988. The album “La Reine de Sabah” from Anti-Choc, released at the end of 1988, earned her recognition as the Best Voice of the Year.
Devotion to Christian Music
Transitioning from the vibrant world of secular music to Christian music, Jolie Detta devoted herself to gospel from the 1990s to the 2000s. Her relocation to Luanda, Angola, marked a new chapter in her life and spiritual journey.
Famous Songs and Legacy
Throughout her career, Jolie Detta contributed to numerous hits, showcasing her versatility and vocal prowess. Some of her famous songs include “Fatou,” “Bola Bola,” “Superstar,” and collaborations like “Pot Pourri 18 Ans De Succés” and “La Reine de Sabah” with Bozi Boziana and Orchestre Anti-Choc.
Conclusion
Jolie Detta’s journey in the Congolese music landscape is a tale of resilience, talent, and a seamless transition into the spiritual realm. From her early days with Choc Stars to her acclaimed performances with OK Jazz and Anti-Choc, she has left an indelible mark on the global music scene.
While her departure from the secular music scene might have surprised many, her legacy as a gospel artist continues to inspire. Jolie Detta’s melodic hits and contributions will forever echo through the vibrant rhythms of Congolese music, securing her place in the hearts of music enthusiasts worldwide.
